Ministry of Music: Michael Lodico is our new Director of Music at Wye Parish. He was born in 1981 and is a native of Western North Carolina. Michael began studying the piano at the age of 6 and the organ at the age of 13. Lodico received a Bachelor of Music degree from the prestigious Curtis Institute of Music in Philadelphia having studied the organ with John Weaver and Alan Morrison, improvisation with Matthew Glandorf, and the piano with Meng Cheih-Liu and Susan Starr. He recently returned from Europe having been the recipient of a Netherlands-America Foundation/Fulbright Scholarship and obtained a Master's Degree in music, studying organ under Jacques van Ootmerssen at the Amsterdam Conservatory in the Netherlands. Michael Lodico has participated in festivals and workshops in Canada, England, Switzerland, the Netherlands and the United States. Recently he completed a concert tour of recitals at English and Scottish Cathedrals. We are honored to have Michael as our Director of Music at Wye Parish and look forward to experiencing the results of his musical endeavors.
Primary Musical Instruments
At Old Wye:
In 1991 the vestry of Wye Parish commissioned the firm J. W. Walker & Sons,
Ltd., Brandon (Suffolk), England, to design and build an instrument which would
compliment this small but historic parish church, while meeting diverse
liturgical and cultural needs. Utilizing the “selective duplexing” technique
first used by its organ-building ancestor, Renatus Harris, in his Salisbury
Cathedral organ of 1710, Walker created a two manual organ accommodated in the
space normally suited for a single manual. The instrument is housed in a
beautifully fretted cherry case which serves to focus and project the sound, and
it employs mechanical key action, a technique little changed over 400 years of
organ building. This traditional style of action gives the player intimate
control over the speech of the pipes -- and it should last for centuries.
OLD WYE ORGAN SPECIFICATIONS
2 Manuals and Pedal
Mechanical Tracker Action
7 Speaking Stops, 8 Ranks, 3 Couplers, 423 Pipes
Compass of MANUALS I / II: C - c, 61 notes (selectively duplexed)
|
* 1. |
Salicional c13 (grooved bass) |
8' |
49 pipes |
Plain Metal |
|
* 2. |
Chimney Flute |
8' |
61 pipes |
Wood & Plain Metal |
|
* 3. |
Principal |
4' |
61 pipes |
Plain Metal |
|
* 4. |
Flute |
4' |
61 pipes |
Plain Metal |
|
* 5. |
Fifteenth |
2' |
61 pipes |
Plain Metal |
|
* 6. |
Sesquialtera C13 |
II |
98 pipes |
Plain Metal |
Compass of PEDAL: C - g, 32 notes
|
* 7. |
Bourdon |
16' |
32 pipes |
Wood |
Walker used a variety of materials imported from many countries in the
construction of the Old Wye instrument, including American cherry, poplar,
basswood, and western red cedar; Canadian maple and pine; African blackwood; and
tin from Thailand. The pipes are made of wood or various alloys of tin and lead
according to the tone required from each rank.
The organ was constructed in Walker’s workshops in England, and was then
disassembled and packed in a sea going container for its journey to America. Its
installation at Old Wye was undertaken by the same team of skilled organ
builders involved in its initial construction. The organ was formally dedicated
at a recital on April 25, 1993.
At St. Luke’s:
Simultaneously with its commissioning of the Walker organ at Old Wye, the vestry
of Wye Parish authorized the procurement of a Rodgers Cambridge 735 electronic
organ for St. Luke’s. This instrument reproduces the voices of a thirty-eight
rank pipe organ by adaptation of parallel digital imaging technology, and
provides countryside chapels such as St. Luke’s with an introduction to the
inspiration of organ music once available only to larger urban congregations.
ST.
LUKE’S ORGAN SPECIFICATIONS
2 Manuals and Pedal
Parallel Digital Imaging Technology
38 Speaking Voices, 9 Couplers, Swell, 6 Audio Channels
|
GREAT ORGAN |
|
SWELL ORGAN |
|
PEDAL ORGAN |
|
|
Principal |
8' |
Lieblich Bourdon |
16' |
Contre Bourdon |
32' |
|
Rohrflote |
8' |
Viola Pomposa |
8' |
Principal |
16' |
|
Gemshorn |
8' |
Viola Celeste |
8' |
Subbass |
16' |
|
Flute Celeste II |
8' |
Bourdon |
8' |
Lieblich Bourdon |
16' |
|
Octave |
4' |
Prestant |
4' |
Octave |
8' |
|
Spitzflote |
4' |
Koppelflote |
4' |
Gedackt |
8' |
|
Flute Celeste II |
4' |
Nazard |
2-2/3' |
Choralbass |
4' |
|
Super Octave |
2' |
Blockflote |
2' |
Fagott |
16' |
|
Waldflote |
2' |
Tierce |
1-3/5' |
Trompette |
8' |
|
Quintflote |
1-1/3' |
Plein Jeu IV |
|
Rohr Schalmei |
4' |
|
Fourniture IV |
|
Contre Basson |
16' |
Great to Pedal |
8' |
|
Cromorne |
8' |
Trompette |
8' |
Swell to Pedal |
8' |
|
Harp |
|
Hautbois |
8' |
Swell to Pedal |
4' |
|
Carillon |
|
Clairon |
4' |
|
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|
Tremulant |
|
Tremulant |
|
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|
Swell to Great |
16' |
Swell |
16' |
|
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|
Swell to Great |
8' |
Swell Unison Off |
|
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|
Swell to Great |
4' |
Swell |
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