This is the marvel of life, rising to see
and to know; Out of your heart, cry wonder: Sing that we live. – Robert Weston, Sing
the Living Tradition, 530
Just two weeks into February and I wonder where we get the energy and stamina, the inspiration, to affirm, as we did in the responsive reading (#530), to say that “This is the marvel of life, rising to see and to know; Out of your heart, cry wonder: sing that we live.”
The month began with the space shuttle
All of this was on my mind recently when the church’s board had an all day workshop. During lunchtime, a small group of us were sitting at a table and I asked them how they thought the faith community of their past – of childhood, young adulthood, or ever more recently – had influenced what they believe today. I asked this question fully aware that 90% of us come faith traditions other than Unitarian Universalist. How has this faith of the past shaped who you are today, is what I wondered, even though today you may see yourself as very different.
All of my questioning and probing was in the context of these first two weeks of the month, because it’s been my experience that when people are hard pressed with events that are difficult, uncertain, horrific, chaotic – up against crisis events that are difficult to understand or simply unfathomable – that they have a fall back position, default mode that doesn’t include their adult, “mature” faith. But they revert back to something they were taught as children, that they were raised with, feelings and beliefs that have never been completely released because they are imbedded in the psyche.
On Tuesday evenings, I facilitate a class where we’re reading David Simmon’s book Learning to Fall. This last class we discussed his chapter on “Wildness,” where he writes about returning to our original selves, that of animal instinct, of living wild, and live with a single focus and purpose, not having to think about the world’s events which cause us worry and anxiety – like these last two weeks. I recall a cartoon that captures Simmon’s point: it’s just one panel that shows five figures. The first is an amphibian leaving the water to become a mammal. The next two are more developed mammals. The fourth is a chimp. And the last is a human being. Over each of the four figures is a thought bubble that reads: “Eat. Survive. Reproduce.” But over the human being is a thought bubble that reads: “What’s it all about?” What a curse! Maybe Simmons is right – just to return to the wild! I’m also reminded of Kurt Vonnegut’s creation story where God has created “mud-as-man.” God slaps mud-as-man to consciousness and he says: “What the meaning of all of this.” God says: “Everything must have a meaning, have purpose?” “Of course,” replies mud-as-man. And God answers: “Then I leave it to you to think of one for all of this.” What a burden. Maybe we’d like to just crawl away into a cave and be left alone. It can hurt to try to make sense of it all, to “cry wonder: to sing that we live.” So where do we get our energy, our stamina, where do we get whatever it takes to keep going: What’s the baseline that we fall back to.
For me, the early, subtle, nearly unconscious theological underpinnings of belief came through music. To this day, I love singing hymns. I remember sitting around campfires as a cub scout, as a boy scout, at church camp and then during family outing and singing all those songs. One of them was, and sing along:
Tell me why the stars do shine.
Tell me why the ivy twines.
Tell me why the skies so blue.
And I will tell you, why I love you.
Because God made the stars to shine.
Because God made the ivy twine.
Because God made the skies so blue.
Because God made you, that’s why I love you.
A simple song with a lot of comfort. And horrible theology.
In a recent Gallup poll, the results were that nearly 50% of
Americans believe that God created human beings whole and complete, as we are,
less than ten-thousand years ago: whole and complete less than ten-thousand
years ago. This is contradictory to
everything science – good scientific evidence – tells us today. One author suggests that these results
clearly show Americans ignorance of
I can’t help thinking that songs like “Tell Me Why,” as well as other campfire songs and hymns from our youth which provided comforting explanations and subtle belief messages, that these are still playing themselves out in adult faith especially in times of hardship, crisis and tests of belief.
In Victorian England, when
There’s confusion about what
He also didn’t talk about the species, as in human beings.
One of the mistakes people often make when speaking about this seminal
writing is to misspeak the title, naming it as The Origin of the Species. It was almost as if
At this point in his career,
One of those pictures I’ve included on the cover of your
order of service bulletin. It’s a
wonderful drawing, a cartoon, that appeared in Punch’s Almanac, a
It’s been said that the most controversial thing
So, what did
His second dangerous idea was that this all took place as a process. It took so much time, it wasn’t a one-shot occurrence, as in boom! and it was over, species were created whole and complete as described in Genesis. It was a process and took time.
What
But there was a dangerous idea that was unbearable
for the Anglican church – for the Catholic church – and Victorian England, and
remains both difficult and dangerous today. It was this: Darwin dismantled the
Anthropic Principal, which said that humankind is at the center of it all, that
all of creation exists for the delight of human beings, that Homo sapiens is the species.
Stephen Dunn has a poem that speaks about our love of story, our desire to hear fiction, of how difficult it is to hear truth and reconcile it with faith.
but when she came home
with the “Jesus Saves” button, we knew what art
was up, what ancient craft.
She liked her little friends. She liked the songs
they sang when they weren’t
twisting and folding paper into dolls.
What could be so bad?
Jesus had been a good man, and putting faith
in good men was what
we had to do to stay this side of cynicism,
that other sadness.
O.K., we said, one week. But when she came home
singing “Jesus loves me,
the Bible tells me so,” it was time to talk.
Could we say Jesus
doesn’t love you? Could I tell her the Bible
is a great book certain people use
to make you feel bad? We sent her back
without a word.
It had been so long wince we believed, so long
since we needed Jesus
as our nemesis and friend, that we thought he was
sufficiently dead,
that our children would think of
him like
or Thomas Jefferson.
Soon it became clear to us: you can’t teach disbelief
to a child,
only wonderful soirees, and we hadn’t a story
nearly as good.
On parents’ night there were the Arts and Crafts
all spread out
like appetizers. Then we took our seats
in the church
and the children sang a song about
the
and Hallelujah
and one in which they had to jump up and down
for Jesus.
I can’t remember ever feeling so uncertain
about what’s comic, what’s serious.
Evolution is magical but devoid of heroes.
You can’t say to your child
“Evolution loves you.” The story stinks
of extinction and nothing
exciting happens for centuries. I didn’t have
a wonderful story for my child
and she was beaming. All the way home in the car
she sang the songs,
occasionally standing up for Jesus.
There was nothing to do
but drive, ride it out, sing along
in silence
(in
I disagree. Evolution has a wonderful story to tell. It’s told by Barbara Kingsolver, about an interdependent web that is so tightly woven that even a she-bear missing her own young would pick up and walk away with a baby and feed it.
It’s the story of a parish minister out gardening and giving voice to the tension between Nature and her plans, and how to reach respect for what both have to offer each other, where each benefits from the other.
It’s the story of Laurel Clark, flying above earth, crying wonder; looking at the beauty of the earth and sharing it not with theological language. Not using religious language to justify that beauty but simply saying, What a marvel. What a jewel suspended in space. Just appreciate it.
It’s the story of Charles Darwin putting together an incredibly difficult and complicated jigsaw puzzle of Life over such a long period of time; wrapping it up as a gift and presenting it to everyone.
And it’s the story of truth speaking to power, to the established church, and saying, You need to reconsider what you’ve been telling people.
There are these stories and more. And there are songs, like the one we heard this morning using the words of Robert Weston – a powerful melody to powerful lyrics. There’s a message there, a story, we can tell our children, that we can tell all.
Evolution, the process described by
Why isn’t it good enough to look at our lives, at the
interdependent web, to look at the cosmos, and simply say, What a wonder! What a marvel! How lucky we are! Why do we have to say, And we’re at the
center of it; God created it and us just as we are. I think it’s more profound to look at the way
The “Reflection” that’s in the bulletin this morning comes from the last paragraph of The Origin. It’s the last sentence of the last paragraph. The last word is evolved, which is the only time that word appears in the book. Let these words inspire us and give us direction:
“There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
What a marvel! What a world we share. “Out of your heart, cry wonder: Sing that we live."
© the Rev. Fredric J. Muir
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