WHAT AMERICANS SHOULD SING


By Allan R. Andrews, Managing Editor,
Pacific Stars and Stripes, Tokyo, Japan


First published May 19, 1996




By my informal count and analysis -- which is by no means accurate beyond question -- 31 of the songs every American should know how to sing were recorded by The Weavers, about 22 are part of the repertoire of Barney and Friends on public television, six are foreign language songs and only one belongs to The Beatles.

Missing from the list is one of my all-time favorites, ``Does Your Chewing Gum Lose Its Flavor On the Bedpost Overnight,'' but I think that one's British.

The list I speak of was compiled by the Music Educators National Conference, whose spokesperson and president, Will Schmid, claims a whole generation has grown up without singing these songs and has thus missed an important part of our American culture.

Schmid and his 95,000-member organization have launched a campaign across the nation to ``Get America Singing . . . Again.''

I commend Schmid and the music educators.

I think it's a great campaign.

However, publishing a recommended list seems shortsighted though gutsy. It's bound to raise hackles and annoy the politically correct, but, hey, every day I have to put up with what's touted as ``Japan's Best Music'' on a local radio station that sounds more to me like ``Japan's Pest Music'' (and it's American music, to boot!).

You can get a feel for how this list will divide the country by reading the wire story that announced it.

Former Secretary of Education Bill Bennett, now known as the nation's ``virtue guru'' by virtue of his compiling writings on virtue in America and who admits to being a rock 'n' roll fan, declined comment on the content of the list, but said he thought it was a good idea because we have too much noisy, in-your-face behavior in America and singing might be the antidote.

At the other end of the lyrical spectrum, Jim DeRogatis, the editor of Rolling Stone magazine, criticized the educators for being out of touch with kids today and with the energy that will get young people singing.

DeRogatis suggested the list be augmented with contemporary numbers such as ``Fight the Power'' by the rap group Public Enemy and ``Smells Like Teen Spirit'' by the group Nirvana.

Probably sitting somewhere between Bennett and DeRogatis, I find the music educators' list biased toward songs of patriotism and against songs of the sea. It includes several distinctly Christian songs and one distinctly Jewish song, but contains no songs representing other world religions, although there might be one or two judged ``New Age'' or ecumenical.

It also appears that Schmid, Bennett and DeRogatis all have been out of touch with Barney, the lavender dinosaur, whose series of video tapes includes a majority of the songs on the music educators' list. My guess is that most Americans under 7 years of age know most of these, although Barney has an annoying way of altering the original lyrics.

Of course, Barney's not alone. A Washington, D.C., elementary school music teacher whose students, according to the Associated Press, didn't recognize the French-Canadian song, ``Frere Jacques,'' reminded the kids that they knew the song as ``Are You Sleeping.''

Noticeably absent from the educators' list, many younger people will note, are songs made famous by Bruce Springsteen, Madonna, Bob Dylan, Diana Ross, The Drifters, Cheryl Crow, The Rolling Stones, and Hootie and the Blowfish.

This shouldn't anger the youth of America, however; also missing are any chestnuts by Bing Crosby, Frank Sinatra, Tony Bennett, Rosemary Clooney, and Patti Paige, unless you count ``Danny Boy,'' which everybody but Hootie seems to have recorded at one time or another.

Two of the most recorded songs in the history of music in America, ``White Christmas'' and ``Rudolf, the Red-Nosed Reindeer,'' are not on the list. In fact, there are no Christmas carols on the list.

There are no songs of Elvis Presley or of Michael Jackson.

I read somewhere that Ken Burns incorporated over 200 versions of ``Take Me Out To the Ballgame'' in his PBS documentary on baseball. There's a part of American culture and heritage that the music educators missed.

The list also seems to have consciously avoided war songs. ``When Johnny Comes Marching Home, Again'' isn't on the list; neither is ``The White Cliffs of Dover'' or the Simon and Garfunkel song that became the anthem of the Vietnam War veteran, ``Homeward Bound.''

Of the 42, there are 38 from which I could sing at least one musical phrase. There are probably a dozen I could sing in their entirety, and there are at least four that completely baffle me.

My major gripe with the music educators' list is it's woefully short. If Americans are to preserve their culture and heritage in song, the list needs to grow to about 4,042.

How many songs can an American remember? Lots more than we think we can.
I never drink a milkshake or hear the word jukebox without singing a few bars of ``The Aisle,'' by the Five Satins.

In college, I ran a student council campaign that used a Civil War tune as its theme, and in the course of campaigning I learned the words to ``The Battle Cry of Freedom.'' Mention student politics and I break into, ``We will rally 'round the flag, boys, rally once again.''

Somebody once accused me of having a song for everything because I have a habit of breaking into song when someone uses a phrase I recognize. Many times, for example, I've done my Buddy Holly imitation when someone says to me, ``That'll Be The Day.''

One of the most powerful books to come out of the Vietnam War is Michael Herr's Dispatches . I've always been struck by Herr's recognition that popular music was integral to the Vietnam experience. Dispatches chronicles a war and a generation of rock 'n' roll music.

What would the Disney classics be without the classic songs that have earmarked every one of them?

I have a difficult time thinking about any era of American history without thinking about America's music: Stephen Foster, George M. Cohan, John Phillips Sousa, George Gershwin. If I thought long and hard enough about it, I could probably come up with 42 composers whose music every American should know.

Even if we picked one song for every year of American history that we all should know, we'd have a list between 200 and 500 songs -- depending on where you begin -- and that wouldn't begin to scratch the surface of our heritage.

I suggest the music educators not only encourage Americans to sing, but that they expand their list by letting Americans add to it the songs they want to remember as part of their cultural experience and heritage.

Such a list might educate the educators.



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Allan R. Andrews can be contacted at allan.andrews@reporters.net