Chesapeake Meanderings (formerly
The Fisherfolk Philosopher)
Vol. 2, No. 1 -- July
3, 2004
PRELIMINARY THOUGHTS ON
CELEBRATING INDEPENDENCE DAY, 2004
By Allan Roy Andrews
KNOEBLE’S
GROVE, Pa. -- It’s an unusual and welcomed side activity when one is
camping with one’s family and is able to sit down and enjoy an evening
concert of country music. Of course, one must be something of a
fan of country music.
I am, and so is my brother-in-law, who with his
family of five joined our family of six and another sister-in-law’s
family of five for two nights of camping at this family amusement park
in the historical coal-mining area of East-Central Pennsylvania.
The skies had been gray all day, and the threatening
rain would eventually pulverize us in our tents that night, but the
weather held through the concert featuring “Jen and Len and the
Sidekicks Band.” Unfortunately for the performers, only a handful
of people gathered in front of the structure patterned after a
bandstand that one of the founding Knoebles had seen in Switzerland and
duplicated in the grove.
Tim, my brother-in-law, and I took a place in the
front row a couple of empty seats away from a couple that looked like
they’d left a hard life on the farm for a few nights of camping.
Tim described the pair as appearing to him like “hardened dirt
farmers.” I agreed. The man's deep five-o’clock shadow and almost
toothless mouth combined with his wife’s straight gray hair and subdued
black and gray dress to hint that hard labor and hard times were their
companions. These are the bedrock of country music’s audience, I
thought, and the evening served to support my supposition.
The man beside us stood up several times and walked
to the side of the grove. At first, I thought he was politely
moving himself in order to have a cigarette, but I didn’t see him light
up. I decided he was suffering from an ailment that prevented him
from sitting too long on short-seated wooden benches.
The Sidekicks Band consisted
of a husband-and-wife singing duo, Jen and Len, and four backup
musicians, two of whom appeared about half the age of Jen and Len, and
two more who appeared about a quarter of the age of Jen and Len.
The youngest of the backup troupe played drums; the eldest danced his
hands over a pedal-steel guitar. Jen and Len did most of the
singing; although, Joe, the bass player, acted as emcee and did at
least one solo number (my favorite of the evening), a rendition of a
Marty Robbins hit, “Don’t Worry ‘Bout Me.”
The sparse audience, despite enthusiastic applause,
sounded like about five people clapping in a massive concert
hall. The lack of faces didn’t dampen the musicians’ spirits,
though, as they spoke warmly and candidly to those of us in the front
rows as if they were entertaining us in their living room.
At one point, Joe announced, “It’s time to give away
a CD.”
To which Jen responded, “Do you have a question?”
Clearly they had a little publicity contest in mind,
I thought. I also wondered if they were giving away recordings of
their own music.
After a few more songs, Joe asked the trivia
question for a CD: “Who is the king of country music?”
After a few mumbles, someone shouted a name I didn’t
hear. I shouted, “Johnny Cash.”
No, Joe said, adding, “And it’s not Hank Williams.”
He then threw in a hint: “This is an older
feller; in fact, he just died last year.”
Almost simultaneously, the hardened man next to me
and I exclaimed, “Roy Acuff.”
“You got it,” Joe announced, nodding at me. I,
in turn, nodded to the man beside me and told him to go up and get his
CD. We exchanged glances, and I waved him up to the stage.
Joe asked if we both said it at the same time, and I nodded.
The man shuffled to the stage, exchanged a few words
with Joe as he looked at two CD’s from which he was asked to choose,
and meandered slowly back to his seat. He came up to me and said,
“He gave me two choices: Diamond Rio or the Dixie Chicks.”
“Which did you take?” I asked.
“Diamond Rio. I hate the Dixie Chicks.”
From the stage Joe and Jen were telling the audience
that the winner was a Vietnam veteran. I figured I knew then why
he’d walked slowly and had to stand frequently during the show.
After a few more songs, the
man beside me turned to me and said, “They should have asked who was
the queen of country music.”
I chuckled and nodded.
“Who would you have said?” he asked.
I pondered for a few seconds, then said, “Kitty
Wells.”
A smile like that of a boy who’d just been given a
new bicycle lit up the man’s face. “You got that right,” he
said. “Couldn’t be any other.”
At that moment, our tiny bond built on knowledge of
country singers became a friendship that I felt could have gone on
forever, though I knew I’d never see this stranger again.
As a closing number, the Sidekicks did a rendition
of the Lee Greenwood patriotic song with the repeated line, “I’m Proud
to be an
American” (God Bless the U.S.A.). The stranger beside me stood
through the entire
performance with his eyes fixed on the stage, which in preparation for
the coming Fourth of July weekend was festooned with red, white and
blue Stars and Stripes bunting. At one point, I thought I saw the
man salute the stage.
The song ended and Joe the bass player-emcee bid us
all a good night.
Tim and I stood to leave, and
the man came beside me and said, “That song has meant an awful lot to
me.” His eyes were watering, and in a gesture of friendship I
patted his shoulder. He patted my shoulder and said, “You all
take care.”
I’ve reflected on that evening several times in the
past few days. I am proud to be an American, but I have a heavy
fear that pride may be one my country’s nagging problems.
I met a new friend in a stranger that evening, but
I’d have to ask him at some point,
were our friendship to progress, knowing that the singers in question
have been critical of their country, “Why do you hate the Dixie Chicks?”
Aren’t we supposed to be proud of our dissenters,
too?
Allan Roy Andrews can be
reached at arandrews@toadmail.com